When Olivia Laing began to restore a walled garden in Suffolk, an overgrown Eden of unusual plants, the work drew them into an exhilarating investigation of paradise and its long association with gardens.
Moving between the real and the imagined, from Milton’s Paradise Lost to a wartime sanctuary in Italy, to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.
But the story of the garden can also be a place of rebel outposts and communal dreams, from …