The Dystopian Sunday Times Top Ten Bestseller from the Author of the Peripheral
416 pages
Langue : English
Publié 27 mai 2021 par Penguin Books, Limited.
THE THRILLING NEW NOVEL FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF NEUROMANCER 'Dazzling, astoundingly inventive' The Times 'Wild, richly satisfying' Guardian 'Terrific' Spectator __ San Francisco, 2017. Clinton's in the White House, Brexit never happened - and Verity Jane's got herself a new job. They call Verity 'the app-whisperer,' and she's just been hired by a shadowy start-up to evaluate a pair-of-glasses-cum-digital-assistant called Eunice. Only Eunice has other ideas. Pretty soon, Verity knows that Eunice is smarter than anyone she's ever met, conceals some serious capabilities and is profoundly paranoid - which is just as well since suddenly some bad people are after Verity. Meanwhile, in a post-apocalyptic London a century from now, PR fixer Wilf Netherton is tasked by all-seeing policewoman Ainsley Lowbeer with interfering in the alternative past in which Verity and Eunice exist. It appears something nasty is about to happen there - and fixing it will …
THE THRILLING NEW NOVEL FROM THE INTERNATIONALLY BESTSELLING AUTHOR OF NEUROMANCER 'Dazzling, astoundingly inventive' The Times 'Wild, richly satisfying' Guardian 'Terrific' Spectator __ San Francisco, 2017. Clinton's in the White House, Brexit never happened - and Verity Jane's got herself a new job. They call Verity 'the app-whisperer,' and she's just been hired by a shadowy start-up to evaluate a pair-of-glasses-cum-digital-assistant called Eunice. Only Eunice has other ideas. Pretty soon, Verity knows that Eunice is smarter than anyone she's ever met, conceals some serious capabilities and is profoundly paranoid - which is just as well since suddenly some bad people are after Verity. Meanwhile, in a post-apocalyptic London a century from now, PR fixer Wilf Netherton is tasked by all-seeing policewoman Ainsley Lowbeer with interfering in the alternative past in which Verity and Eunice exist. It appears something nasty is about to happen there - and fixing it will require not only Eunice's unique human-AI skillset but also a little help from the future. A future which Verity soon fears may never be . . . __ 'One of the most influential writers around...with Gibson's trademark panache, the story rattles along with great pace and suspense' Sunday Times 'One of our greatest science-fiction writers' New York Times 'A sensual, remarkably visual ride, vigorous with displays of conceptual imagination and humour' The Guardian 'Among our most fascinating novelists' Daily Telegraph 'Gibson is a prophet and a satirist, a black comedian and an astounding architect of cool' Spectator 'One of the most visionary, original, and quietly influential writers currently working' Boston Globe 'His eye for the eerie in the everyday still lends events an otherworldly sheen' New Yorker 'Engaging, thought-provoking and delightful... [Gibson] can always be counted on to show us our contemporary milieu rendered magical by his unique insights, and a future rendered inhabitable by his wild yet disciplined imagination' The Washington Post 'Gibson blurs the line between real and speculative technology in a fast-paced thriller that will affirm to readers that it was well worth the wait' Booklist 'Typically visionary, yet plausible and thrilling too' I Paper 'If you're one of those who sees Gibson as a visionary, it's time to be scared - the scenarios he's playing with here don't make for comfort reading' SFX magazine
It's a William Gibson book, so obviously I think it's brilliant.
I listened to this book with a sinus infection so maybe I missed some of the charm, but there are not one but two exposition characters constantly asking what's going on, and they're abosulty necessary to keep the story straight. And are often apologized to because nobody has any idea what is gong on or why people are going places and doing things. There are narrative reasons for all of this, but it's a big glamor show with no real impact. In fact the last 30% of the book could have not included the protaganist and it would have gone exactly the same way. While we got flashy fights and over the top stunts with the main character keeping a stiff upper lip and going along for the ride, I still can't tell you why.
It's a narrative full of "and then" and no "there for" or "but".
Awesome characters, …
I listened to this book with a sinus infection so maybe I missed some of the charm, but there are not one but two exposition characters constantly asking what's going on, and they're abosulty necessary to keep the story straight. And are often apologized to because nobody has any idea what is gong on or why people are going places and doing things. There are narrative reasons for all of this, but it's a big glamor show with no real impact. In fact the last 30% of the book could have not included the protaganist and it would have gone exactly the same way. While we got flashy fights and over the top stunts with the main character keeping a stiff upper lip and going along for the ride, I still can't tell you why.
It's a narrative full of "and then" and no "there for" or "but".
Awesome characters, great scifi ideas, I still love the series and will read book 3 when it comes out, but it could have skipped the Gibson "heist admit chaos" crescendo since the heist had no payoff what soever.
Its interesting to see gibson circle back on his hit - this is very similar to neuromancer, but more grounded, and somehow set last year, or a few years ago even.
There is a minor grandpa vibes developing too. I don't think gibsons politics are bad, they just feel more visibly centrist than they were in the past.
