Space Opera

"Mankind will not get to fight for its destiny. They must sing. A century ago, the Sentience Wars tore the galaxy apart and nearly ended the entire concept of intelligent space-faring life. In the aftermath, a curious tradition was invented by the remnants of civilization. Something to cheer up everyone who was left. Something to celebrate having escaped total annihilation by the skin of one's teeth, if indeed one has skin. Or teeth. Something to bring the shattered worlds together in the spirit of peace, unity, understanding, and the most powerful of all social bonds: excluding others. Once every cycle, the great galactic civilizations gather for Galactivision--part gladiatorial contest, part beauty pageant, part concert extravaganza, and part, a very large, but very subtle part, continuation of the wars of the past. Thus, a fragile peace has held. This year, a bizarre and unsightly species has looked up from its muddy planet-bound cradle and noticed the enormous universe blaring on around it: humanity. Where they expected to one day reach out into space and discover a grand drama of diplomacy, gunships, wormholes, and stoic councils of grave aliens, they have found glitter. And lipstick. And pyrotechnics. And electric guitars. A band of human musicians, dancers, and roadies have been chosen to represent their planet on the greatest stage in the galaxy. And the fate of Earth lies in their ability to rock"--

3 éditions

paperback, 304 pages

Publié 18 décembre 2018 par Gallery / Saga Press.

Voir sur OpenLibrary

Critiques

David Bremner a publié une critique de Space Opera par Catherynne M. Valente (duplicate)

Good, but not that kind of Space Opera

4 étoiles

Fans of Alastair Reynolds, beware, this is not your stuff. Fans of Douglas Adams, you will probably like this, if you can admit that on some level, Valente is the better writer. Or perhaps it just seems so to me because the satire is more on point for current events.

The overall arc of the story is not too surprising, but there are many extremely quotable quips. Valente seems to have a gift for humorous (pop or otherwise) culture references.

Not to talk down the book, which has no pretensions of being more than what it is, but I look forward to reading Valente putting that raw wordpower to something a little more ambitious.

The overall arc of the story is not too surprising, but there are many extremely quotable quips. Valente seems to have a gift for humorous (pop or otherwise) culture references.

Not to talk down the book, which has no pretensions of being more than what it is, but I look forward to reading Valente putting that raw wordpower to something a little more ambitious.