R.F. Kuang: Yellowface (2023, HarperCollins Publishers Limited)
Langue : English
Publié 22 septembre 2023 par HarperCollins Publishers Limited.
I have whiplash from this book. Interesting in some parts but none of the characters are really likeable and I really got to the point where I was just wishing the book is done. But I guess the story is meant to be unsettling.
I like the premise, the plot, the narrator and the discussion about cultural appropriation. The writing flows nicely. The pop culture references and the tweets were fun at the start too, but eventually it got too repetitive for my taste. I get that the main character was spiraling, but it felt tedious towards the end. At times, the villain-ness of the main character felt too heavy-handed, verging on rage-bait (or was it just too close to home?). And the ending didn't do the book justice.
I like the premise, the plot, the narrator and the discussion about cultural appropriation. The writing flows nicely. The pop culture references and the tweets were fun at the start too, but eventually it got too repetitive for my taste. I get that the main character was spiraling, but it felt tedious towards the end. At times, the villain-ness of the main character felt too heavy-handed, verging on rage-bait (or was it just too close to home?). And the ending didn't do the book justice.
Yellow Face is a reflection of our society today and of its contradictions. Kuang takes a thought-provoking critical look at the entire literary industry and the effects of racism, privilege, and cultural appropriation. Its gripping plot makes the book a compelling read that you can hardly put down.
Creo que el thriller psicológico contemporáneo pega mucho más con el tipo de prosa rabiosa e implacable de Kuang. El comentario sociopolítico acompaña mucho mejor esta historia que Babel y, aunque se sigue atragantando de lo obvia que es, consigue hilvanarlo mejor con la trama.
This tale from a deeply unreliable, envy-driven narrator is more of a sharp satire of liberal racism than its publishing industry setting. It's at its least compelling when discussing Twitter drama, but there's ample snark just underneath each turn of phrase, and more than enough ratcheting tension to have kept me turning the pages.
This tale from a deeply unreliable, envy-driven narrator is more of a sharp satire of liberal racism than its publishing industry setting. It's at its least compelling when discussing Twitter drama, but there's ample snark just underneath each turn of phrase, and more than enough ratcheting tension to have kept me turning the pages.
My main problem with the book was that I don't think I've ever read a first-person book in which I've found the main character so unlikable, which made it a little hard to read. But it was a compelling story that was hard to put down.
My main problem with the book was that I don't think I've ever read a first-person book in which I've found the main character so unlikable, which made it a little hard to read. But it was a compelling story that was hard to put down.
This feels like every publishing twitter drama distilled into a single novel.
